Thursday, November 01, 2007

Notational Drawing & Comments from the Review

3 comments:

Noorah Al-Sabah said...

Comments from the Review (taken by Leslie Flint)
Architecture at its highest level is poetic- profound starting point strong metaphor and did a good job sticking to it
We're reflections of our environment - our existence is fragile so we can appreciate the poetry of existence even more
Piers- you see them only above surface but they extend much further - relates to mirrors under the sand
Water presents reflection of cityscape and also a larger mirrow
Concern: what is the abstraction you are articulating?
Potentially design of surface, landscape condition - we deal with on, in or through (the mirror)
Start to think in terms of materials - ascribe existential meaning to material (feelings from damp stone building for example)
War memorial/ orphanage/ displacement center
Two opposing programs- one becomes more dominant -> mirror
chess: without war no one would play game of chess
writing own experience for your own good
set up constraints
Thesis should be broad idea - create tools and technology to go top down
*If you choose site or program too early, you lose inventiveness - start to follow typologies
*Best thesis is one that discovers something
You can later translate to other site
Reflection of a place from a distance makes it more significant
Embassy, war memorial, museum= symbolic

Noorah Al-Sabah said...

Meret Oppenheim did the Furry Tea cup & saucer surrealist piece
This actually started me thinking on other 'deceiving' objects/artworks by the likes of Mona Hatoum and there are several pieces at the Moma - the one I'm thinking of right now seems soft and tactile/friendly but is really made up of shards of fiberglass... This duality might prove helpful later on. I'll post more shortly

marc said...

can you post some of her work...she is great...